JONATHAN ZARANTONELLO

Director

GIOVANNI CANEVARI

CINEMATOGRAPHEr

Pivo - composer, director. screenplay

PIVIO

composer

Aldo De Scalzi - composer-actor

ALDO DE SCALZI

composer

Are you the nutcase who wrote this stuff?
TANI CANEVARIdirector of photography
It was easier shooting “Vajont.”
ROBERTO ANDREUCCIexecutive producer
They're all crazy. I wonder what they've been smoking... I'm outta here!
FRANCO TRENTALANCE
FRANCO TRENTALANCEactor
In this movie there's no assistant, no editor, nobody, just us.
ALVARO GRAMIGNACine Audio Effects
Isn't it wonderful? No it's not.
Pivo
Pivocomposer
Why didn't you want to do a normal film?
GIANLUIGI GIANNIPhoto cinema
A woman would rather use the term “tramp” - “slut”, is too highbrow.
CATIA DONINIafter a (skeptical) review of the women's dialogue
It's not a porno movie, you just have to let it sink in and chew on it awhile... Oh, I mean normally we don't do these kind of things...
ROBERTO ANDREUCCIexecutive producer
I just played a game of solitaire on my computer and I saw that the film will be successful.
STEVEN LUOTTOsubtitler, at 2:23 in the morning
“I never knew what the fuck a bassoon was” - the best line in the movie.
STEVEN LUOTTO4:06 in the morning
You'll go to hell for making this movie and I'll go down to make sure it's hot enough, goddamit!
STEVEN LUOTTO5:51 in the morning
Holy fucking shit!
MASSIMO SANTOMARCOset designer, having to crouch to the height of the actor's pelvis to check the framing
Why do I need four days of rehearsals just to show my ass?
AN ACTRESS WHO REFUSED
This is a film that cannot be described in words
LUCA CADURAcommunications expert
You don't get it: we're way off budget. It's not like if we save 3000 euros, we'll have 3000 to spend, it'll be 3000 kicks in the ass less I'll get from Beppe Attene, because we went over!
ROBERTO ANDREUCCIexecutive producer
Whaddya need?
CLAUDIO BRESCIANI nocturnal audio track creator
Franco, I don't think any man in the world knows your dick better than me.
JONATHAN ZARANTONELLO director, on his fourth month of post-production
For me it was a challenge to accept this... this film... We can call it a film, can't we?
PAOLA CORVINOIntramovies
I cut a pair of paper boxer shorts and taped them to the center of the monitor, because I just couldn't work all day with a wang in front of my face. No offense...
CLAUDIOCine Audio Effects
UncuT is about the banality of the penis.
PAOLO LE GRAZIEpress office
I've never looked at a dick for so much time. It's a form of violence on the spectator.
PINOin charge of marketing
this film is pure philosophy!
FAUSTO ZULLIactor, lowering himself with his penis on the camera
The first day I walked in here, that porno catalog was at the bottom of a drawer. The second day it was on a chair, with the cover page turned over. Today it's on the desk in full view. That catalog represents the transformation underway in this office.
ANDREA MAULA’assistant director while casting
This film is emblematic of all my madness.
BEPPE ATTENEproducer
Previous
Next